One of the most common questions I receive is “How should I frame this?”
Whether you prefer something clean and modern or more traditional, here’s how I typically recommend framing my work based on the materials used.
Canvas Pieces
All unframed canvas works are painted around the edges and arrive ready to hang — no frame required.
If you prefer a more polished look, a floating frame without glass is a great option. It adds a subtle outline and presence without completely covering the edges or competing with the work itself.
There’s no need for glass on canvas pieces.
FLOATING FRAME ON CANVAS
Paper Pieces
Works on paper are created on thick, archival-quality surfaces — often watercolor or printmaking paper — and many feature intentionally torn edges. These edges are hand-torn to give the piece a softer, more organic feel.
I recommend framing paper works under glass, with two common approaches:
- Floating the paper to reveal the edges (my personal favorite)
- Matting to the edge for a more traditional presentation
Both approaches work beautifully — the best choice depends on the specific piece and the space it will live in.
Framing Guidance & Resources
I recommend working with a professional framer you trust. If you’re located in South Louisiana, here are a few of my favorites:
Baton Rouge
Thibodaux
SELECTING THE PERFECT MAT COLOR
If you’re not local, a professional framer in your area will know how to handle original artwork properly.
Some collectors also choose online custom framing services such as Framebridge. While I haven’t personally used them, they can be a convenient option for certain projects.
There’s no single “right” way to frame a piece — only what feels right for you and your space.
And if you’re ever unsure, I’m always happy to help guide you.